TO BURN IS NOT TO LIBERATE Harleen Kaur Dhillon·April 10, 2024Immolation begins with burning—a world burnt to the ground, ashes still smouldering and a revolutionary basking in the...Front PageOpinion·0 Comments·0
CHALLENGING COLONIAL LEGACIES IN PHOTOGRAPHY Harleen Kaur Dhillon·March 13, 2024BANGISHIMO JOHNSTON PRESENTS THE MEDICINES WE CARRY, THEIR FIRST EXHIBIT WITH KWAG Bangishimo Johnston, local photographer and activist,...Arts·0 Comments·6
NEW TUNE REVIEW: BAD EGG – CENTURY EGG (2024) H. Tooth·March 11, 2024Bad Egg’s new release titled Century Egg boasts seven tracks of scathing hardcore that crosses the boundaries of...Columns·0 Comments·4
MEL BROWN STATUE FINDS HOME IN DOWNTOWN KITCHENER Catalina Olavarria·February 7, 2024Queen St. S. between King St. and Charles St. is now home to a life-size bronze statue of...Arts·0 Comments·2
THE NEXT DAY DELIVERY MACHINE Karishma Porwal·December 14, 2023This poem is about the one million square foot Amazon Warehouse erected in the middle of the Blair...Arts·0 Comments·3
TREVOR CLARE CAPTURES ICONIC SCENES OF WATERLOO REGION IN NOSTALGIC, LIMINAL ART COLLECTION Adrian Quijano·December 14, 2023Kitchener artist Trevor Clare recently celebrated the launch of his book The Art of Nostalgia: A Visual Memoir...Arts·0 Comments·6
PINK MOON RISING: REVIEW OF A DEBUT Adrian Quijano·November 9, 2023Multi-hyphenate Roshan James recently released her collection of poetry into the open arms of her readers. Pink Moon...Arts·0 Comments·6
NEW TUNE REVIEW: COSMIC BABY (2022) H. Tooth·January 9, 2023Blankie is the project of Tori Dawn, a musician and visual artist from the KW region. Their 2022...Columns·0 Comments·0
Terrifically Beautiful: the poetry of Ajay Mehmi Harleen Kaur Dhillon·June 6, 2022Ajay Mehmi has a glorious beard and a gentle demeanour. After some time, his charm and wit also...Features·0 Comments·0
New Tune Review: Barbtarbox in secret H. Tooth·June 3, 2022On Sunday, May 29, 2022, Barbtarbox played an aching lullaby to a crowd of several squirrels, many beetles...Columns·0 Comments·0